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Microsoft’s myopia: SharePoint is not Enterprise 2.0 or Social Networking

Posted by: fredzimny on: 2009/05/06

Artist: Hiroshi Manaka http://www.otento.jp/manaka/index.html

Artist: Hiroshi Manaka http://www.otento.jp/manaka/index.html

In the last years I was involved in the deployment of sharepoint within our company. I found this post and looking back I have to agree with the author. Sharepoint is not about Enterprise 2.0 or social networking. It works for the contact center environment or system management as a intranet/public library, but that’s it.

Source: http://skilfulminds.com/2009/03/18/sharepoint-is-not-enterprise-20-or-social-networking Posted by Larry R. Irons

The title for this post is drawn from a recent assessment of SharePoint 2007 offered on Thomas Vander Wal’s bog, Personal InfoCloud. Thomas’ post, as always, offers a unique point of view on what Enterprise 2.0 consists and, specifically, how SharePoint measures up. He isn’t offering his own formal assessment as much as reporting the stories clients and potential clients shared with him over the past couple of years. The social software stack, in particular the difference between collective understanding and collaborative understanding, frames Vander Wal’s perspective.

Given SharePoint’s widespread use, and the growing interest in applying social media applications to collaboration challenges in organizations, Thomas’ discussion deserves wider attention. His overall impression is well summarized in the following point.

SharePoint does some things rather well, but it is not a great tool (or even passable tool) for broad social interaction inside [the] enterprise related to the focus of Enterprise 2.0. SharePoint works well for organization prescribed groups that live in hierarchies and are focussed on strict processes and defined sign-offs. Most organizations have a need for a tool that does what SharePoint does well.

This older, prescribed category of enterprise tool needs is where we have been in the past, but this is not where organizations are moving to and trying to get to with Enterprise 2.0 mindsets and tools. The new approach is toward embracing the shift toward horizontal organizations, open sharing, self-organizing groups around subjects that matter to individuals as well as the organization. These new approaches are filling gaps that have long existed and need resolution.

In other words, SharePoint works well for situations in which defined groups need to reach a collaborative understanding of project requirements, their role in achieving those objectives, and what success means for the project. It works less well in providing resources allowing people across the enterprise, and across teams or departments, to discover connections with others and develop social relationships for networking together in ways that meet both personal and organizational challenges.

Hammers and Nails: Extending the Social Software Stack

Thomas’ point about hierarchical/horizontal challenges of collaboration is an organizational analog to the old saw about hammers and problems, i.e. someone with a hammer sees every problem as a nail, or something like that–you get the idea. A tool set biased towards connecting people and sharing information via hierarchical relationships between organizational positions does not readily afford solving problems largely based in horizontal relationships between people. A similar dilemma exists in the eLearning space between the top-down, objectives focus of learning content developed for Learning Management Systems (LMS) and the horizontal emphasis of eLearning 2.0 applications focused on collaboration and performance support.

Thomas observes that SharePoint 2007 seems to multiply silos of information in organizations using it rather than diminishing them and, as he notes, “Nearly every organization has deployed SharePoint in some form or another.” He also points to a recent report on SharePoint usage patternsdone by AIIM and Oracle. Its overall findings are as follows:

  • 83% currently use, or are planning to use, SharePoint
  • SharePoint is more widely deployed at the workgroup or department level
  • 75% said implementation of SharePoint took one year or less, which would make sense considering
  • 47% use it primarily for File Sharing (and/or as an internal Portal – again 47%)
  • Few use it for complex business processes, records management or digital asset management
  • It is seen as a component of a larger Enterprise Content Management strategy
  • 47% said they would use it as an Extranet/Internet solution (whereas 22% do already) – this was one a little surprising
  • You can also get a free copy of the full report. A good sense of how SharePoint works to support teams is available in Michael Sampson’s Seamless Teamwork, though you won’t see much discussion in the book about the limitations of SharePoint in enabling discovery of common interests with other people across enterprises, or knowledge across teams.

    The overall organizational response to recognition of SharePoint’s limitations as a platform for the social networking required by Enterprise 2.0 is described by Vander Wal.

    The first step many organizations take with SharePoint after realizing it does not easily, or even with an abundance of effort, do the expected social software components is to start getting solid proven services and start plugging them in. Many tool makers have taken their great products an made it quite easy to plug them into the SharePoint platform. Want a great wiki tool, not the horrible wiki “template”, then Confluence or Socialtext is added. Need a great social tagging/bookmarking tool that ties into search (this starts enabling finding the good information in SharePoint’s micro-silos), then Connectbeam is added.

    It is important to note that as social networking tools continue to develop new ways of connecting, such as the growing recognition of Twitter’s usefulness to collective awareness of a person’s presence and mundane activities, even vendors like SocialText see it necessary to enhance their integration of the social software stack with features such as SocialText Signals and SocialText Desktop. Vander Wal’s key question is whether enterprises using SharePoint will continue to bolt new applications on it to enhance its social capabilities, or move on to totally new platforms entirely.

    If your organization uses SharePoint, how true do the points outlined above seem to you? Has your organization added social networking applications to SharePoint?

    Artist: Hiroshi Manaka http://www.otento.jp/manaka/index.html

    Artist: Hiroshi Manaka http://www.otento.jp/manaka/index.html

    9 Responses to "Microsoft’s myopia: SharePoint is not Enterprise 2.0 or Social Networking"

    Fred – Thanks for the link to our research and related free resources on SharePoint. Huge upswell of interest from clients both large and small on SharePoint. It’s certainly not the best choice for all situations, and it can be far more expensive than people have been (mis)led to believe – but I’ll be honest… I’ve been shocked at the scale of adoption and general satisfaction from a wide variety of clients.

    There’s more to content management and collaboration than SharePoint, but particularly for Basic Content Services, there are worse places to start the journey.

    Always curious to hear from anyone who has implemented SharePoint – any further warts or wins to be had, let’s surface the findings so others can benefit moving forward.

    Cheers,
    Dan Keldsen
    Co-founder and Principal
    Information Architected, Inc. (IAI)

    Fred, thanks for highlighting my post on Sharepoint. It is nice to see others who share my point of view.

    Larry, indeed sharing your point of view and from a management perspective sharing concerns with regard to the development and connecting of organizations to web 2.0 (if feasible)

    [...] Microsoft’s myopia: SharePoint is not Enterprise 2.0 or Social Networking [...]

    I think the same arguments probably hold true if you compare the individual elements of SharePoint to any other point solution. There are better content management, search, business intelligence etc. tools available.
    However, SharePoint is a platform solution rather than a point solution. If you want to get best of breed for each of the above then don’t buy SharePoint but expect to spend a significant amount of time and money integrating all your best of breed solutions together.
    If you go the SharePoint route then expect to have to do custom development or add other third party products to it but you shouldn’t need to spend as much time stitching them all together.

    Thanks for your comment.

    It is the same discussion you always. Are you heading for the best in class of the best of both worlds. With regard to sharepoint my main concern is that the deployment is not management as a system implementation e.g. SAP or Siebel CRM. And because of the mere delivery, as an operational manager I encounter problems of suboptimalization or desintegrated processes.
    But your points are right and one has to consider them in any evaluation.

    [...] a recent post I stated that Microsofts sharepoint-is-not-enterprise-20-or-social-networking. Based on some [...]

    40 Ans de rencontres 2009

    ”Les Rencontres Arles Photographie” Arles (Francia)

    dal 7 luglio al 12 settembre 2009

    In questo Festival Internazionale di Fotografia , ”Les Rencontres Arles Photographie” il principale interesse è la fotografia, sia digitale o analogica, o con differenti mezzi di espressione . Il mezzo più frequente per rappresentare le opere è sicuramente la carta, ma anche alluminio, cartone , forex , ecc , diverse le dimensioni e tecniche tra tante anche il “collage”, ma anche proiezioni video sia pubbliche che in luoghi privati , ambientate con musica di sottofondo. Oppure ritocchi in photoshop, trasformando un lavoro di fotografia in un’opera multidisciplinaria. Ma la cosa più interessante è la varietà delle tematiche ,abbordate da tanto diverse ottiche di nazionalità , possono trovarsi: Scene di vita urbana, sempre nell’urbanistica architetture di diversi luoghi del pianeta, la moda, i ritratti, i paesaggi , la vita di gruppo sociale ,scene di vita privata , paesaggi soleggiati, l’omosessualità, la prostituzione, la tossicodipendenza, la guerra in Europa e altrove nel mondo, la povertà nei sobborghi di New York, lo sport, la vita nei paesi africani, l’inquinamento, la politica, per menzionare alcuni, sono parte dei temi favoriti della fotografia contemporanea che oggigiorno circola nel mercato dell’arte e che, fraternità, l’uguaglianza e la libertà sembra siano i temi preferiti dai fotografi. La parte del Leone in questo festival lo fa sicuramente Nan Goldin , la quale presenta all’interno del Festival di Fotografia la sua ricerca artistica da sempre incentrata sul suo vissuto privato e su quello delle persone a lei più vicine.Una storia che passa dalla vita borghese di una famiglia bostoniana all’underground della New York degli anni 80, dove Nan formerà una nuova famiglia allargata composta da personaggi dalle esistenze difficili, ma lei preferisce immergersi in un’ambiente in cui la verità, per quanto dolorosa, scandalosa, viene mostrata anziché nascosta. Nelle sue foto le persone si mostrano per quello che sono con tutte le debolezze, i vizi, le sregolatezze. Condivide le sue esperienze più intime attraverso immagini spesso molto dure e dirette che ci mostrano la vita che tutti facciamo finta che non esista: malati terminali di aids, scene di violenza domestica o familiare , l’universo del travestimento, cliniche per la disintossicazione dalle droghe. La forte dimensione fisica-carnale delle immagini anche se molto esplicita, ci permette di entrare in contatto con la vita di queste persone, di sentirne quasi gli odori (sinestetico) , ma l’attenzione è rivolta a cogliere nei loro gesti, nei loro sguardi, nei loro amplessi, la natura del legame che li unisce. Molto interessante l’installazione e video immagini che propone all’interno di una chiesa gotica sconsacrata nel centro cittadino di Arles , un legame complesso fatto di luce e di ombra, di gioia,di morbosità e dipendenza che descrive l’amore nelle sue esperienze vissute nella sua vita d’artista e in quella familiare. Celebrato con 80 immagini (all’Eglise Sainte-Anne fino al 30 agosto) Willy Ronis è al centro di una restrospettiva che raccoglie gli scatti che più hanno segnato il suo percorso. Nato nel 1910 a Parigi . Interessante sono i lavori fotografici soprattutto le sue sequenze , del fotografo Duane Michals , così pure le foto dei grandi ritratti di Brian Griffin e di Yury Toroptsov , o quelle del fotografo Ken Damy a la Roquette e al Parc des Ateliers , ex capannoni deposito e di ristrutturazione delle vecchie ferrovie francesi , interessante complesso di architettura industriale dei primi novecento , spazio molto simile al nostro Arsenale veneziano. In questi spazi oltre alla fotografia , erano organizzate delle proiezioni fotografiche durante la notte “delle proiezioni” tra cui anche il video di Nan Goldin “the ballade of sexsual dependency” . Altra artista donna di particolare interesse è la giovane fotografa slovacca di grande talento Magda Stanova ,con le sue (Dan l’ombres de la photographie). Sempre negli spazi al Parc des Ateliers una particolare e provocatoria installazione del fotografo svizzero Renè Burì ,la sua installazione costringeva il publico a una visione delle sue fotografie (b.n.) , in un box nero e completamente al buio , quindi per visualizzare le opere ci si doveva improvvisare con fonti luminose , quali telefonini , pile , ecc. Nel nostro percorso di visita alle varie mostre nel centro della cittadina di Arles , si può ben capire perché Van Gogh abbia scelto di soggiornare in questi luoghi per così parecchio tempo , per questa particolare luce per la storicità di questa bellissima città (di fondazione romana) , che in questi ultimi quarant’anni ha concentrato un così splendido festival e una così alta presenza di artisti e di fotografi . Dal 7 di Luglio al 13 settembre, Arles ed i suoi abitanti si preparano per accogliere 66 esposizioni tra le sue strette strade, cinema, sale audiovisive, caffè, ristoranti, gallerie e centri culturali con cento artisti fotografi, galeristi, cineasti, curatori, critici e collezionisti, giornalisti , principalmente della Francia, ma anche di differenti parti del mondo , pronti a carpire documentazione di un così importante evento fotografico , tra questi anche il Gruppo Sinestetico (Albertin , Sassu , Scordo) che ha vissuto direttamente i primi sette giorni di inaugurazioni accreditati per Literary.

    [...] In an post early may I wrote about some concerns of the use of SharePoint. 2 Months after the deployement within our company I still believe that SharePoint is not social or [...]

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